The Sally Lockhart quartet
Historical thrillers, that's what these books are. Old-fashioned Victorian blood-and-thunder. Actually, I wrote each one with a genuine cliché of melodrama right at the heart of it, on purpose: the priceless jewel with a curse on it – the madman with a weapon that could destroy the world – the situation of being trapped in a cellar with the water rising – the little illiterate servant girl from the slums of London who becomes a princess … And I set the stories up so that each of those stock situations, when they arose, would do so naturally and with the most convincing realism I could manage.
There are many more such hackneyed situations awaiting my attention.